Readercon 25

Posted: July 23, 2014 in Conventions, Genre
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Better late than never, eh?

Readercon 25 was not that long ago and it was my second trip up to that con. It’s a lot more commuter friendly than Boskone. Readercon isn’t in the middle of Boston, one of the suckiest places on earth to drive, and the likelihood of having a blizzard (again) was pretty low. Also, free parking. So I look forward to this one a lot. The hotel that houses the con was remodeling last year, so the facilities were swankier this time around.

Anyways. I doubt anyone really cares about how nice the hotel was. Content! What about the content?

I’m getting there.

And now I’m here.

A lot of the con programming, at least on the Saturday-Sunday that I was able to go to, skewed to genre talk and publishing chatter. There was not a big emphasis on craft. That’s not a good or bad, just a thing. My favorite piece of genre talk was “The Shiny, Candy-like Zombie: Commoditizing the Undead” and featured one of my new con favorites, Max Gladstone. Part of why I liked the panel is that it drew in other types of media into the discussion. Yes, it’s a book con, but books don’t exist in a vacuum and are influenced by other types of media too. It can be a positive to talk about all that sort of stuff too and on this panel, it most definitely was.

My other favorite genre panel was Long Live the Queen. This was all about Victorian influences on genre writing with (the obvious) steampunk as a starting point. The panel, in particular Theodora Goss and Catt Kingsgrave, were very well versed in the history of Victorian times which brings in a whole additional layer to a genre discussion.

The only sad part about that panel was the old couple that sat behind me saying “Oh this is steampunk, I hope it’s not.” They sat there and talked down on the newer subgenres and then walked out of the panel acting all disgusted. To each their own. You can like whatever you want, it’s not going to bother me, but there’s no need for people to be condescending tools. Good riddance. Better off without “fans” like that. That one incident aside, I thought this year’s Readercon was better than any con I had been to before in regards of avoiding “Old Timer Wanking about the Past and Hating on Anything Not Twenty Years Old.”

One of my new favorite con people is Kameron Hurley. She’s rad. I knew this thanks to twitter and her kick ass book, but it’s still nice when that translates into real life. She signed my copy of God’s War and was all like “Hey, you’re Mike from twitter.” So I won at the internet. Again, since that’s the second time I’ve had an author say that to me out of the blue at a signing. I saw Hurley on two panels and a reading. She’s very well spoken and I think if she suggested we all went and jumped off a bridge, there’d be takers based solely off her rhetoric and not the fact that jumping off of bridges is fun. She moderated an excellent panel on New Models of Masculinity, which later gave me a chance to recommend Saladin Ahmed’s short fiction to someone. Hurley was also on a panel about Marketing that had another one of my con favorites, Neil Clarke of Clarkesworld. One of the other panelists decided to make a point about “Marketing only works if you’re the first person to do something.” I don’t think there was a single person that thought it was a good point but Hurley had a Picard level face palm and then proceeded to own this guy.

This brings me to the highlight of Readercon. A whole crew from Women Destroy Science Fiction and Women Destroy Horror had a group reading. Amal El-Mohtar, Sarah Pinsker, Holly Schofield, Kameron Hurley, Liz Argall, Livia Llewellyn and Gemma Files all read pieces from the anthologies. I was actually pleasantly surprised that my favorite piece was a nonfiction from Argall. Hurley also read a nonfiction piece from the essay/blog that she got the Hugo nom for.

So that’s Readercon 25. I had a lot of fun. I’m going to end with some quotes really fast now since my kiddo is demanding satisfaction right now in the middle of the night.

  • “Yeah, he’s an old man leading a charge… but he’s a fucking wizard!” -GoH Andrea Hairston on Gandalf making a point on realism in SF
  • “I like men and I wish people would stop writing them lazy.” -Catt Kingsgrave on New Models of Masculinity
  • “As an erotic story, there is too much body horror with zombies, but-” shrug “-people are weird.” -Max Gladstone
  • “It’s like 1998 again. The Internet, it’s going to kill us all.” -Robert Jackson Bennet on Extrapolating SF from Science

Payments

Posted: July 19, 2014 in Writing
Tags: , ,

Short fiction is a challenge for me. My natural style and rambling nature lend themselves to novels. I still like to dabble in the form, though, because it can only be a positive to expand my skillset. This story here was written for the Boskone Flash Fiction Slam that I participated in earlier this year. It’s what I was reading when my twitter avatar pic was taken. Enjoy.

Payments - by Mike Douton

For the good cybernetic tech, you went to Miami, Tokyo or Cape Town. For last year’s models, you went to Bucharest, Lagos or Rio. The scrappers just getting by, we went to Brisbane.

A few blocks off the river, behind the bright tourist façade, I shuffled through the streets. My coat soaked the heat up like a sponge, but hid my malfunctioning arm from view. I feared it was still obvious to anyone that looked my way. A tall man leaned in a nearby doorway. I shied away from his gaze.

“I think I’ve got what you’re looking for,” he said.

I stopped. I stood straight and tried to look tough and aloof. “I don’t know what you’re talking about.”

Stray voltage sparked across my interface. Circuits misfired and muscle linkages convulsed. My arm wretched my shoulder muscles out from my body. The servos in my hand sent sparks out of my coat sleeve onto the pavement.

“Sure you don’t,” the man said. “Come on then.” He faded into the dim interior.

I hesitated, cursing the bad timing of my left arm. The man was right, though. I was sure he knew exactly what I needed and could not hide. My feet carried me in after him. The door read “M. Jedinak, Cybernetic Consultant.” The letters were so faded, only my machine eye saw them.

Jedinak stood, with the same lean, against a diagnostic chair. The room was dim, but clean, so I relaxed a little. Plastic and titanium body parts were boxed on shelves or spread out on worktables.

I took off my coat. That damned cybernetic arm was twitching below my flesh bicep. I hesitated again. “I need it fixed. For work. I hurt it on the oil rig. They don’t know I’m here. I’ll lose my job if they find out.”

Jedinak leaned in close, studying my arm. “It’s thrashed,” he said.

“I know.”

“It’s not cheap.”

“I know.”

“How much do you have?”

With my good hand, I unstrapped a money belt and shook out a pile of hard currency. Vietnamese dong, Russian rubles and dollars from six countries splayed out on the closest worktable. I heard the whir of his cyber eye servos. Jedinak counted it up, his circuits were doing math.

He shook his head.

“Please.” My arm misfired again. The sparks were bright in the dim room. “It’s my livelihood.”

Jedinak eyed me up and down. “We’ll work something out.”

I settled into the diagnostic chair. My busted arm was restrained, then my good arm was. I looked up to Jedinak, confused. He belted down my feet.

“What are you doing?”

Jedinak tied down my waist.

I struggled to move. My breathing came in gasps. I shook my head from side to side but he held it down. The diagnostic chair’s clamps bit down on my scalp.

“Come on man, there’s no need for this. I- I can get more money.”

“You’d have it with you if you could.” Jedinak picked up a scalpel.

“I swear-“

“I know a shelia that needs a new eye. She’s rich and violet is just her color.”

Pain ripped through my nerves when the scalpel bit into my cheek, but I could not move to stop it.

“Quiet,” Jedinak said. “You’ll get your new arm. You don’t need two eyes to go to work.”

Spec Fic 102: Introduction to Speculative Fiction Subgenres

Science fiction is such a broad based term, many different flavors of it exist. Kind of a duh statement. This is another one of my “If I was teaching this class” formats. I did an Intro to Sci Fi a while back. Today, we’re going to dive into a sampling of specific subgenres.

A recap of the structure for my mythical classes: Once a week for twelve weeks, a book every other week. That gives us six books, and in this instance, six subgenres. It’s going to skew modern. Somewhat. A lot of the genre’s more colorful subgenres are more recent. I blame the internet. People aren’t restricted to just what they can find on the brick and mortar shelf anymore. It allows people to seek out a wider variety of interests and then lets more writers help codify them into solid tropes.

vN-144dpiArtificial Intelligence - vN by Madeline Ashby

Asimov may have given the world the Laws of Robotics, but vN has been a watershed moment in human-AI storytelling. I wrote about it when I was heavy into book review posts. The protag of this novel is a von Neumann, a self replicating AI, that is missing the failsafe preventing her from harming humans. This tackles the tropes of AI/robotic servitude to humanity head first. As a near future novel this makes the book a lot more accessible than the older, philosophy with off camera action type books from the early days of robotic fiction. There are a lot of extremely plausible scenarios in this book, making it hit home a lot stronger.

snowcrashCyberpunkSnow Crash by Neal Stephenson

Gibson may have done it first, but I’m much more partial to Snow Crash. Cyberpunk as a genre is film noir full of hackers in a post-industrial world. This book takes place both in and out of cyberspace. The protag is a freelance hacker of renown, out on his own after cutting ties to the mafia. The interplay between the real world and the virtual comes from the titular ‘snow crash,’ a drug that affects people in both worlds. Information as a commodity adds a healthy dose of dystopia the subgenre is known for.

 

americangodsGodpunkAmerican Gods by Neil Gaiman

This is the 900 pound gorilla in the room when it comes to godpunk. There have been some that came before, but this really set the tropes into a proper, albeit a smaller subgenre. The ancient gods are alive but not so well in America. The old gods are trying to navigate a world that doesn’t believe in them anymore, drawing what little power they can from modern habits drawn from ancient traditions. Norse, Slavic and African deities feature predominantly in this book along with leprechauns and mythic American figures like Johnny Appleseed. They are in direct conflict with the new gods born from American obsessions with things such as media, the internet and black ops work. This book features a more worldly cast of deities than many which stick to the Big Three of godpunk, Norse, Greco-Roman and Egyptian, and few display the old vs new conflict as well.

boneshaker-coverSteampunkBoneshaker by Cherie Priest

This book is widely considered the magnum opus of the subgenre. Steampunk is a vision of the future derived from an early industrial revolution point in history and much of the societal norms from that time. Boneshaker embraces the aesthetic right down to the cover art and sepia colored printing of the text. The zombies of the ruined city of Seattle are outside the box for the subgenre but a frontier city on hard times is the perfect place to feature the technological innovations like airships and gas masks.

 

discountarmageddonUrban FantasyDiscount Armageddon by Seanan McGuire

It would be easy to pick any of McGuire’s work as a platonic example of what the urban fantasy subgenre has grown up into. The subgenre is a lot more than “Buffy clone beats up [insert monster] with [insert weapon/talent/schtick]” that it started out as. Between her two main UF series, I ended up going with the InCryptid series over the Toby Daye books because it features a larger variety of mythical creatures than just the faerie. Verity, the protag on the cover over there, is part of a family that studies, protects and polices the cryptid community to enable coexistence. That’s not terribly easy to do with a secret society of monster hunters looking to destroy them all. The society hidden within society is one of the things that makes this such a layered world.

thieftakerHistorical Urban Fantasy – Thieftaker by D.B. Jackson

This is a new trend I’m noticing and it’s something I want to see more of. This takes a very historically accurate setting and adds in magic/horror/scifi and such. I started seeing it with military themes like Joe Nassise’s WWI zombies and Harry Turtledove’s Civil War with AK47s, but it’s moving to a true urban fantasy set in the real world past. The protag here is a conjurer living on the fringes of society in 1760s Boston. You don’t need to know much of American history to know this is a very interesting time and place to be hanging out solving murders with magic. This books creates magical causes to actual events in Boston’s history and has the protag rub elbows with guys like Samuel Adams. Bonus points, the author has a PhD in US history.

lextalionisLast week I finished reading and talked all about the fantastic book Lex Talionis by R.S.A. Garcia. I seriously enjoyed the book. As a writer, I’m not just enjoying books from a reader/fan perspective though. The craft that goes into a novel is a whole additional layer of enjoyment for me when I read. The craft of Lex impressed me just as much as all the other aspects of the story.

I love talking shop (duh) and had all sorts of stuff I wanted to talk about with Garcia so I invited her over to this here blog for some shop talk about one of my most fascinating topics, worldbuilding. Every novel revolves around its story, and every good story is driven by the characters. More so in science fiction than any other flavor of genre, the set dressing and world building can become a character unto itself. There are an endless amount of ways that authors go about it and I always love to compare notes on this.

So without any further rambling, I’m going to let Garcia take the stage and share how she went about building the world of Lex Talionis.

 

Worldbuilding is a topic that I find endlessly fascinating and have heard dozens of different approaches to it. In other interviews, I saw you mention that you weren’t much of an outliner but the entire time I was reading Lex, I felt there was huge detailed galaxy out there. The reader in me loves it. The writer in me is impressed with this world packed full of depth that still never distracted from the story. How did you go about this?

I swallowed a galaxy before I started writing, obviously. That’s how all the best god-heads do it. Bow down to my skills, puny human!

Well, okay, maybe not.

First off, thanks for the compliments! I did work hard to try and set up a vast universe without writing every bit of it all down. Growing up, I preferred to visualize what a author wrote and I was no fan of standard assists like maps. I appreciate the work that goes into it, and I know people love stuff like that, but I hated having to stop the story to go look up a mountain range, and I idolized writers who could take me there with words alone. So I worked hard at using all the senses–sight, taste, smell, sound and touch–to paint a complete picture.

I’ve always been a pantser. With me though, when I write, I see the world and I add what I see to the database in my head. I like to follow ideas wherever they lead and one thought usually leads to another, so if I know I have a planet with an atmosphere poisonous to humans, I will ask myself what WILL survive there, and then bam! I have an alien species. If I made more notes, I wouldn’t have to flip back so often to see what I decided to call my floating jellyfish aliens, but when those aliens show up, they tend to walk in dragging their people’s history and their old boyfriends with them. Then I just write it down.

Did the world Lex inhabits come from years of marinating in your head or did it just appear like Athena, fully formed bursting out of your head?

Very few parts marinated over the years, mostly to do with Lex herself and her background. The rest of the world formed as I wrote and asked myself questions ‘what if’ questions. The first one was, ‘what if aliens found us instead of us finding them–and they just wanted to trade?’ I would ask myself questions about why some things and places were the way they were and the answers formed the basis of the world.

My approach was also influenced by how technology changed over the years, of course, so some things did come fully formed, birthed by some random tech articles or a sentence in a new article. But I didn’t have any of it burst from my head, which sounds really painful, by the way. I doubt there’s enough Excedrin in the world for that!

Did the level of worldbuilding change as you progressed through drafts, i.e. cutting parts out or filling in more detail?

Oh, for sure! I started writing Lex years ago, so a lot had to change. I grew up, got better at writing, started filling in more detail, experienced a lot more life. Those factors and others helped change the world I was building. It started out a lot more light-hearted, less gritty. That changed when I started asking the ‘what if’ questions I mentioned.

I cut an entire book to write Lex, if you can believe it. The sequel to Lex is actually the book I was working on first. But I asked myself how this woman I was writing came to be, and it turned out I needed a book to answer that. It also turned out I needed a few books to work out all the trouble that came with her. Should have just left her alone in the first place–would have been much quieter in my head.

Is your worldbuilding approach going to evolve as you work on the sequel and/or other unnamed projects?

Definitely. The database in my brain is getting obsolete, like all good tech eventually does. I need to start making notes now so I don’t have to flip through all the manuscripts I write looking for the name of some street. I’m exploring writing software to help with that–I heard Scrivener’s good. I want to make sure my other books can be written without me getting eye-strain and cramps from clicking through the pages.

My plan was always to advance the tech in my world as the years pass, so the reader can see the world’s evolution as they go. Technology is proceeding at such a pace these days that it’s going to be a tall order writing a science fiction novel that Elon Musk hasn’t rendered archaic by the time it goes to print. But we’re also closing the gap between finishing a novel and publishing it to satisfy this new generation of ravenous readers, so perhaps I have a better chance of getting away with that now than before.

Either way, I hope to keep changing, improving on my worldbuilding and writing better stories as I go. Otherwise I’ll be forced to return to my galaxy swallowing ways and believe me, only the Children of Cthulhu want that *gives everyone the evil eye*.

 

RSA Garcia lives and works on the island of Trinidad in the Caribbean with a large family and too many dogs–not that any of them belong to her.

She decided to be an author when she discovered that Louisa May Alcott had been published at the age of 8. Determined to waste no more time, she finished her first collection of stories at 10. She has not stopped writing since, and indulged herself in a deep love of all speculative fiction despite the best advice of every English teacher she has ever had.

Lex Talionis is her debut novel available now from all the major players. Learn more about her and her novel over at rsagarcia.com.

Lex Talionis

Posted: May 25, 2014 in Reading
Tags: , , ,

lextalionisLex Talionis a.k.a. my twitter pal wrote a kick ass book.

I haven’t been doing much in the way of book reviews in the last few months due to the limited free time, but I need to take some time to pontificate about this awesome book.

Like most books I read now, I found Lex Talionis by RSA Garcia via a recommendation from another person I know. I’ve been twitter pal’s with the author’s sister for a while and she was all like “Hey, my sister has a book coming out. You should check it out.” Whaddya know, it’s right up my alley.

On one of Earth’s planetary outposts, a young woman dies–and is brought back to life by a mysterious alien.

Inside a military starship, a wounded soldier is stalked by an unseen enemy.

When Lex reawakens in a clinic, she doesn’t remember who she is, or who killed her. All she remembers is a phrase she does not understand. Lex Talionis. The law of revenge. Stripped of her past, Lex focuses on the only thing she can. Retribution. She will find the people who murdered her and she will make them pay.

What Lex doesn’t know is that she’s being hunted. The alien who saved her and the soldier fighting for survival are the keys to her past…and her future. She must discover what they know before the hunter finds her. Every clue brings her closer to powerful enemies. Everything she learns draws her nearer to the person who almost destroyed her.

The only man she has ever loved.

Lex takes one of my favorite sci-fi tropes and runs with it blending the whole thing with mystery-thriller aspects. Protags with amnesia that are trying to learn who they are right along with the reader are an underutilized trope in the genre. Other than this book, I can think of four in all of my bookshelves that deal with it. One of them happens to be my all time favorite book, Nine Princes in Amber. I guess that meant I started reading Lex with the bar set pretty high. That was alright, ’cause Garcia nailed it.

I mentioned above how Garcia blended some mystery-thriller tropes into her book. I felt that a lot of them were in the storytelling itself. There are two very distinct parts of the story corresponding with how much memory Lex has. Because of this, the timeline and the POVs bounce around a lot. It’s not sometime I often see done to the extent Garcia does it. I found it different, but never distracting or confusing. The book also starts with a slow burn rather than huge bang. Garcia takes the time to set things up in the first quarterish of the book. She’s setting us up for a marathon, not a sprint. I only dabble in mystery books, but I got a sense that the pacing came from the influence of that genre.

Holy shit, the payoff is worth it.

When Lex hit its climax, I was seriously impressed as a reader and a writer. There is one passage is probably the most cinematic passage I’ve ever read in a book. For lack of an adequate literary term, Garcia crosscuts between two parallel scenes and creates this mosaic that floored me. The two different scenes become more powerful together and flow together as one scene. In years of film school, I saw very few filmmakers do this well. I have never seen a writer do it well. That’s the kind of craft that turns a good chapter into a friggin’ amazing chapter.

Lex’s character arc is satisfying as is the resolution of her immediate problems. There are a lot of doors left open for the sequel, but I wasn’t left bothered by any dangling plot threads. If anything, the set up for the sequel is exciting. I am interested in seeing the direction Garcia is taking Lex on her overarching quest. By playing around with the timeline again towards the end, Garcia gives us a glimpse of the sequel and there are a lot more I want to see.

So it was a little difficult to dance around spoilers, (Lex is partially a mystery after all) but I cannot recommend this book enough. I love blending genres together. It helps keep the whole scene fresh by pushing SF in new directions. There is also something really awesome about discovering a new author’s first novel. I’ve done it a few times now, (Wendig, Cole, Chu, Manieri, Ahmed) and it gets me excited as a reader to see the promise laid out in front of them. I am grateful that the random connections of the internet led me to this book and I hope you give it a shot. The genre needs books like this in a dozen different ways. And Garcia is rad. So’s her book. Go read it.

I actually have some free time and today (edit, not really. I wrote half of this last Tuesday) so I am going to use it to talk about awesome books. Or at least, books I expect to be awesome. I’m not going to talk about books I’ve already finished this time. I’m elbow deep into Dance with Dragons anyways, so the previous read was a while ago. Today, I want to talk about the books in my To Read Pile. They’re sitting on the shelf, waiting to be read as soon as I finish this last GRRM tome. Of course, at the speed I’ve been getting books done lately, I’ll see October before I finish this pile.

toreadpile

 

 

 

 

 

 

 

 

 

 

 

So that’s them, held up with a Medusa head. That’s how I roll. Time to talk about them. From top to bottom and left to right.

Generation V by M. L. Brennan – I think I first heard about her because Brennan was at NY ComicCon with Myke Cole. That sounds about right. Then I saw on twitter she was going to be doing a reading from the latest book in Providence and I was all like “Holy shit! People do things in Rhode Island! …. on days I’m unavailable…” One thing I’m seriously jazzed about, this book takes place in Rhode Island! New Yorkers can get blaze about urban fantasy happening in their backyard but after the author tweeted “Enjoy the RI locales”, I skimmed for where they were. The protag lives in Cranston, all of two miles from my house. I’m absolutely going to troll Cranston and take pictures of where the book happens. I’ve always wanted to do that (the pictures part, not trolling Cranston)

The Cracked Throne by Joshua Palmatier – This guy is a Shelf of Honor author with Well of Sorrows (as Benjamin Tate). This particular book is the second book in his first trilogy. Honestly, I often don’t read the back of the book for Shelf of Honor authors, or sequels to books I already liked. I don’t need any further convincing to buy them and the way the last book left off, the second should pick up pretty shortly after. I first saw him at Boskone 49.

Half-off Ragnarok by Seanan McGuire – This is book three in the InCryptid series. I think this will be the fifth of hers that I’ve read. I first started reading her books from a recommendation by Jim Hines. I started with InCryptid, instead of the Toby Daye books, because InCryptid was brand new at the time. McGuire was the Guest of Honor at the last Boskone and is pretty rad.

A Discourse in Steel by Paul S Kemp – Another sequel. Hrm, seems I have a lot of these. This is the second Egil and Nix book. They buckle swashes and kick asses. I’m pretty sure I learned of these books because anything published by Angry Robot is automatically on my radar.

Tricked by Kevin Hearne (a.k.a. Taco Pope) – Book four of the Iron Druid Chronicles, which is up to six or seven plus some novellas. I found Hearne off a recommendation via Sam Sykes (who was recommended by Scalzi). The protag, Atticus, and his dog Oberon are one of the best duos in the SF genre. There’s just as much humor in these books as the serious stuff. It makes the books refreshing.

In a Fix by Linda Grimes – This is a straight up bookstore browse find, the only proper one on the list. The protag is a “human chameleon” who pretends to be other people to fix things for them. Like getting someone to accept a marriage proposal. Shapeshifters and spies? Done. You don’t need any more to sell it.

The Cormorant by Chuck Wendig – Here’s some more awesomeness from Angry Robot Books. This is book three of the Miriam Black series, which just got picked up for a TV deal on Stars. Wendig writes with a lot of flair. And swears. So many swears. He’s also one of the go to people for writing shop talk. I read the first Miriam Black book when it was brandy new based off the trifecta of Lauren Beuckes, John Scalzi and the power of the Angry Robot.

The Blue Blazes by Chuck Wendig – Copy and paste half of above right here. This is the start of a new series about gangsters and demons and magic.

Zeus and Co. by David Lee Jones – This is an old one I scored on a Book Barn browse. That’s the seriously epic used book store down in Connecticut. The book is old enough that it doesn’t even have a picture on Goodreads. I can’t even find any sort of web page for the correct David Lee Jones. It’s about hackers and Greek gods. I love godpunk so I nabbed this right away. I’m sure the 20 year old tech is going to be silly in it’s oldness, but I’m hoping it holds up anyways.

 Fiddlehead by Cherie Priest – Buying this book was another no-brainer. Fiddlehead is part of the Clockwork Century series which was bequeathed (bequoth?) on the Shelf of Honor. The series is often considered the definitive books of steampunk. I also enjoy how they are all interconnected but still readable as individuals. That’s a nice trait when I don’t usually have time to go back and reread a whole series. I think I first put Boneshaker (the first Clockwork Century) on 2009′s Xmas list after reading a Scalzi Big Idea post.

The Killing Moon by N. K. Jemisin – This book takes place in a world where the dominant magic system is fueled by people’s dreams. That is bad ass. The practitioners of this magic, well they could heal you … or maybe kill you. Either way. That’s a temple that is definitely worth reading about. Jemisin also comes recommended by most of my twitter feed.

Reamde by Neal Stephenson – Here is another Shelf of Honor author (with Ananthem). This is another of his books set in the real world. Reamde is a cyberpunk deal about online gamers and wars with Chinese gold farmers that spill over into the real world. It will get me all nostalgic for my Warcraft and EverQuest days. I read my first Stephenson book years ago off a recommendation from my dad.

God’s War by Kameron Hurley – I swear I had this book on my To Buy List before it was nominated for all the awards. Freelancing ex-government assassins? That’s pretty sweet. “Alien gene pirates” alone would sell me on it. I know that was all part of a back cover marketing angle and there are a lot more layers to the book. Good. As it should be. I think I first heard about Hurley from Seanan McGuire. She’s also a great person to follow on ye olde twitter.

Range of Ghosts by Elizabeth Bear – This is not my first book by Bear and I know it won’t be the last. I previously read Undertow and thought that Bear wrote one of the best alien POV’s I’ve ever read in decades. She even got the seriously obscure reference to the cheela I made when I talked about her well written aliens. Ghosts is the first book in Mongol / Eastern based fantasy rather than the same old Medieval British based fantasy world. Bear came recommended from most of my twitter feed and I finally bought some of her books after seeing her at Boskone 50 last year.

lextalionisIn The Mail – Lex Talionis by R.S.A. Garcia – I was recommended this book when a twitter pal said “Hey, my sister has an awesome book coming out soon.” I was all like “Ima gonna go check this out.” And I did. And I got super happy because Lex uses one of my favorite SF tropes, which I hardly ever see anywhere. Amnesiatic protags that have to discover their identity right along with the reader. I can think of all of four books that do this, and two of them (Nine Princes in Amber and A Thousand Words for a Stranger) are on the Shelf of Honor. So this book is totally happening. I’m pretty sure I would have found this book regardless because Elizabeth Bear has also given it her recommendation.

 

shatteringtheleyOn Order - Shattering the Ley by Joshua Palmatier – Remember above how I said he was a Shelf of Honor author? Still applies here. The magic system in this book is closely tied with the infrastructure of the world and I find that whole concept very intriguing. I’m excited to see an epic storyline set in the urban city of the book. Ley drops in July right before Readercon so I’m hoping Palmatier rolls in for that con and I can add to my signed shelf.

Soundtrack for the Novel

Posted: April 13, 2014 in Junk, Writing
Tags: , ,

I had a conversation on twitter today about the music played while writing. This is something that fascinates me to no end. I enjoy the process of having other senses and other mediums bleed into my writing. I imagine it comes from all those years in film school.

Every novel I write, including the unfinished ones, has a very specific soundtrack and playlist. That counts double for the current one I’m working on since it, quite literally, puts the punk in godpunk.

I’m going to make things quick tonight because I have a word count I’d like to hit. Below is a sampling of the music rolling around in my noggin as I write a book about a punk rock singer with magic powers.

2 Minutos

Civet … saw them live in Hartford a few years back. Close to the sound of the band in the book I’m writing, although my protag does not look like them

Ninja Dolls

Millencolin

Dropkick Murphys (duh) … Fun fact: I have a crack in my cheekbone from DKM on St Patrick’s day in Boston a couple years ago

New Riot … The best mosh pit ever was these guys in Providence opening for Reel Big Fish