An Open Thank You

Posted: July 24, 2015 in Stuff, Writing
Tags: ,

This is an open thank you letter to Delilah S. Dawson, author of kick ass books and teacher of kick ass classes.

Dear Delilah,

Thank you.

We just finished up the LitReactor class about turbocharging our characters and leveling up our writing through a novel’s inhabitants. I’ve kept a sly eye on LitReactor classes for a long time but yours really seemed like the sort of thing that would be a shot in the arm to my own writing. I’m writing a bit of a romance book disguised as SFF and your Blud books and Myke Cole’s Breach Zone are directly responsible for me adopting that attitude. Character is the foundation of any book, but it is twice as important with any writing where people are making lovey eyes at each other even if they’re doing it while busting heads and throwing down with magical gangsters.

But I was very nervous about pulling the trigger and signing up for the class. But you know this. Since we’ve chatted a few times before, I emailed you direct about my questions. Was I walking into something meant for true noobs? Was I going to be in over my head since my current novel isn’t finished yet? Should I be starting something fresh for this? These were all legitimate questions, but more than anything I was nervous about taking a class from a writer who’s work I enjoy greatly and I respect a lot as a person and a professional. I was worried about being that awkward as hell introvert that was awkward as hell without realizing it. It’s not a rational worry. Back in the Wild West days of the internet, my first interaction with a professional author was so horrible, I didn’t even think about writing anything for eight years. Being weird and fifteen probably did not help matters, but suffice to say, it’s been sixteen years and I still cringe whenever I see anyone mention the Author That Shall Not Be Named. I still feel wonky whenever I shoot the breeze with Myke Cole at Boskone. I felt like an immense dork when I met Seanan McGuire. I worried I was going to put my foot in my mouth when Scott Lynch remembered I was the submarine guy at his book release party. I almost threw up when Kameron Hurley was all “Oh! You’re Mike from twitter.” I did these things anyways because I can throw down a good game face when I need to, but there have been plenty of other times I passed something up or stood there when I wanted to speak up and say something so simple as “Hi, you’re book is great *fist bump*”

Taking a class from someone writing in the field, from someone who is where I want my own career to head towards, was a huge deal for me.

Putting my work out there was scary. I had more nerves about taking this class than I did sending out my first query letter for the trunked novel. Seriously.

I’ve put my work out there before, of course. I write some short stories and the rejections sprinkle my gmail inbox still. I’ve got thirty rejection letters from agents. I participate in the Online Writer’s Workshop and get solid critiques from that crew. I have a few people I can always get honest and useful feedback from (Denise! Drea!) But for a long time I’ve felt like I was screaming into the wind.

I understand why agents and editors use form letter rejections. When I was doing the agent queries, I even had one that started with “Dear [Insert Author]…” But that doesn’t mean I like them. Everyone says “Write more and you will get better.” Well, yeah, but my first thought is always “But what if I’m making the same mistakes every time and no one will tell me?”

This is why I want to thank you for teaching the class.

For the first time in far too long, I feel like I have a clear idea of what I am doing right, and what I need to work on. A good critique is like gold, and you just handed me a treasure chest. Dialogue, good. Blocking out movement and action, not so much. I think my film degree has a hand in both of those.

From the first lecture and exercise on our protagonists, I was pulling ideas for how I was going to make my novel better. My secondary characters are stepping into focus and doing more than just being there. I know what I need to do now to get that second voice down right. I know where I can high five myself and where I need to hunker down and get to work.

So, thank you, Delilah.

Thank you for being the type of person who takes the time to guide those of us who want to join you on that side of the fence. You’ve always taken the time to answer my questions. Your blog is one of my go-to sources for smart shop talk. And now you’ve taught this awesomesauce class.

My writing may not have leveled up yet, but I have a map and a key to the boss fight now.

I’m going to get this book published and someday, some rad convention is going to sit everyone in alphabetical order and we’ll be all “Remember the thing!” and do a cool 80’s freeze frame high five while all the other letters who aren’t D will be jealous of our high fives.

It will be great.

Thanks again.

-Mike

Writing Triage

Posted: May 31, 2015 in Stuff

Dear Blog,

Hi. How ya doing? Feeling kinda ignored, eh?

Well I swear you’re not dead. Not a bit. But…….

You’re on life support a bit though. I need to triage my free time. The kiddo is three. Holy crap he’s three! But that means ye olde free time isn’t exactly plentiful. So, sorry Blog, you’re like that guy who shows up to the ER with kidney stones at the same time as the ambulance rolls in. You’re not doing well, but you’re not first in line.

Sucks, doesn’t it?

Nothing to be done about it though. You want attention at the same time as the novel and well, novel comes first. Gonna have to deal with that. It’s too bad, cause I have a bunch of nifty ideas I want to blog about. I finished reading Kelly McCullough’s Fallen Blade series. It’s fantastic and I want to use it as an example of a great way to handle a series. How to make sure each book has its own identity but still have a solid overall arc. How to remind people what happened with the old books without a heavy info dump.

So anyways. I’ve spent too many minutes with you already, Blog, and since the laptop is kind of a jerk in need of replacement, I’m stuck using an “unsupported browser” and wordpress won’t even let me add a link. I don’t even think spellcheck is working right now.

So I’m done with you, Blog. For a little while. At least until I catch up with the novel.

Writing Against the Odds

Posted: March 2, 2015 in Junk, Writing
Tags: , ,

I am going to assume all the writerly people who read this blog (*cough*most of you*cough*) have seen this article by the MFA guy ranting about people who go into MFA programs.

Not overlapping with MFA types.

Not overlapping with MFA types.

It was all over my twitter feed over the weekend. Well, at least the SFF writer chunk of my twitter feed. The NASCAR stuff doesn’t really overlap much.

I first saw it show up via Myke Cole. Swaths of writers I like and respect, both as people and as writers, had sentiments that ranged from “Wow, bitter much?” to “Fuck this guy.”

And I concur. Seriously, Fuck that guy. It makes me glad I couldn’t find an affordable and accessible MFA. I was looking into one so I could get out of my hellhole of a job into something I at least don’t hate that can pay the bills. The endgame I was hoping for was a little bit of teaching, a little bit of publishing and a big chunk of book writing. This guy makes me think I don’t have the patience for any sort of collegiate writing anything. I’ve got a friend in the Rhode Island College English program and he says there are professors that flat out say no genre work allowed in class. When I was cruising for online MFAs, one of the more promising ones, UTEP, was pretty point blank about no genre work.

So I seriously am part of the “Fuck this guy” camp. Right from his first bullet point, his article went down sideways with me.

But then I saw a couple people defending the guy.

The MFA Guy Defenders were also writers I like and respect both as people and professionals. They had well thought out points that I didn’t really agree with, but they were thought out and rational. Holy crap actual discourse!

The Defenders of the MFA Guy can talk about the same points without enraging anyone and it made me realize the writer of the article is really just a jackass more than anything. He’s a condescending jackass.

I’m not where I want to be with a writing career. Most people aren’t. The Stephen Kings and GRRMs are a million to one odds. Hell, I’m still plugging away looking for that first sale, though I think I’ve had a couple in the “close but no cigar” category of “We like it, just not a good fit here.” While I’m working on it, I don’t to bury my head in the sand and have people blowing smoke saying publishing is nothing but rainbows and unicorns crapping out gold coins and fat advance checks.

Realistic expectations with a publishing career is a good thing. I appreciate it so much when Jim Hines blogs about the yearly writing income. Agent Jennifer Laughran spelled out a breakdown of the mythical six figure publishing deal last week. (Spoiler alert! It breaks down to a crapload less than I made last year… about as much as I made moving refrigerators when I was 23). John Scalzi is big on pointing out the business realities that aren’t always friendly or fun. And if you want to hear publishing horror stories, pick through Kameron Hurley’s blog and looking for anything pertaining to Nightshade Books.

Publishing is a harsh mistress. Self publishing is just as, if not more, harsh just in different ways. I am fully aware and accept this as the Way It Is.

Some people have more natural talent and might not have to work as hard as others. Some people know the Right People. Sometimes, what you like to write just doesn’t sell. Sometimes crappy books sell like wildfire. Very few of us will ever get rich or even be able to go full time without a trust fund or a spouse/better half with a hefty paycheck. But when Hines or Laughran or Scalzi or Hurley or a myriad of other people out there in the SFF world talk about it, I am not bothered by it.

Maybe it’s just because I’ve had a rough couple of weeks what with the car exploding and not making it to Boskone and yadda yadda yadda and am a bit extra irritated lately. (The car was ‘time to buy a new one’ broken) But damnit, no one needs more negativity. Anyone who knows me for real or even just on twitter probably just snarfed at that. I get it. I’m pretty damn surly as much as I try to keep it off the blog. MFA Guy’s condescending d-bag attitude serves nothing but his ego though. There’s no “wake up call” or “brutal honesty,” just a guy stroking his ego living up to the stereotype. As a writer, MFA Guy should know that the framework behind the sentiment matters just as much as the sentiment. MFA Guy pissed off a lot of people with his attitude for no real reason.

I know what the odds are because there are some people out there who take the time to present them as realism and nothing more. The odds are long. I can count on one hand the number of SFF authors I follow on ye olde twitter that write full time without a working spouse. I live in New England with a mortgage and a kid. I spent a large chunk of my 20s living below the poverty line and it’s a not a lifestyle I will go back to. Ever. The odds of funding a middle class lifestyle on writing alone is stupid small.

I am writing against the odds anyways.

You can be honest and helpful in facing the odds with realism, or a toolbag like MFA Guy.

I’m going to keep writing against the odds

Boskone 52 Report

Posted: February 15, 2015 in Conventions

a.k.a How I Spent $8k and Never Made it to the Convention

20150214_085418

Borked.

So that looks like a lot of fun, right?

I commute to the Boston area cons because A) I don’t really have the money to stay for a whole weekend B) I work Fridays anyways C) I have a two year old who is really rad and D) Even the raddest and most well behaved two year olds are still a handful and that’s not fair to my wife to just up and go for a whole weekend.

So Boston is a hellish place to drive in but it’s only actually 60 miles away from where I live in Rhode Island. I drive 45 miles in the other direction every day to work in Connecticut. Not a big deal. Well I never made it out of Rhode Island yesterday.

That picture is of a completely seized engine.

The short version of the story (which isn’t that short, but I don’t want to repeat it a lot so I’m putting it here)… Between my house and the gas station, my car was perfectly fine. Since I started working in Connecticut, I’ve put a big chunk of miles on my car, but it’s a Subaru. Once a Subaru hits 100k, it’s just getting warmed up. That’s half the reason I got a Subaru and mine wasn’t on track to hit 100K until this summer even though it’s seven years old. After the gas station, I hit the interstate pointed north to Boston. The car started rattling. You can’t tell, but my bumper is held together with zip ties because it hooked on a snowbank a couple years ago. So sometimes it comes loose and rattles. The rattle didn’t change with how much I was on the gas. I figured there was some snow up under the wheel well that was screwing with the bumper.

At this point I was in Providence. Rhode Island’s capital kind of sucks. I avoid the city when I can but I know that the exits will dump you in crappy parts of town or near the mall. Neither of which are convenient places to stop and mess around with your car. I knew of a nice gas station right off the highway just over the Massachusetts line and planned on stopping there.

I didn’t make it that far.

The horrible noises got progressively worse. Stopping had to happen immediately. The engine light flickered once and went off. I’ve had it go on for a week at a time before so I didn’t think one flicker was my car’s death knell. It was.

I was on the exit ramp in Pawtucket (Rhode Islanders are wincing, The Bucket isn’t a great place) when the engine cut out completely. I was EXTREMELY lucky that it was on the exit ramp at about 30mph. Power steering goes away with the engine. Rhode Island also sucks at plowing and with all the snow, there would have been no where to get my car off the highway. As it was, I randomly picked an exit right next to a gas station and was able to manhandle the steering wheel to get it in there and out of the way.

car bork 2

Still borked.

I waited for a tow. Ironically, when the tow truck pulled up, it wasn’t for me. There was a car right next to mine in the gas station. I figured it was the guy who worked there. It wasn’t. That car was also dead and waiting for a tow, the driver just wandered off and abandoned it instead of waiting in the cold. The second tow truck showed up and took my car back down to the Sears Auto Center not far from my house. (Butch, our local guy, isn’t open weekends) The guy at Sears took one look at it and said “Oil’s gone. The damage is done and I doubt it’s salvageable.”

At least I didn’t have to pay an $80 diagnostic fee for that.

My car gave me ZERO warning that was going to happen. Really, as soon as it started rattling on the highway, it was already too late. No oil lights. No engine lights. No smoke. No leaking fluids. My driveway is covered in snow, I would have easily noticed a leak in the white snow. I had that one flicker of the light one mile before it seized up, which doesn’t really count as a warning since the car was borked before that. (The Subaru guy later told me that oil light only comes on with low oil pressure not low oil level cause that makes a lot of fucking sense.) When I popped the hood waiting for the tow, there was a sleight smell but I don’t exactly sniff my car that often to diagnose by nose.

So back to Sears. They conveniently does not do that level of engine repair. I waited for another tow. At this point, the blizzard had started so it took me 20 minutes just to get a call through to AAA. My wife is awesome so she came over with her car and we cleared out everything from mine and got some noms from Wendy’s while we waited in the snow. The car got towed to the local Subaru dealership this time because they can dive into it hardcore.

Prognosis from Subaru is not that good.

With this level of damage, our only practical repair option is an engine swap. I do not have the money or the desire to send a forensic repair team into the innards of the car for hours to tell me it’s borked. I know it’s borked. I had my last oil change in my car in mid-December and the same place did my state safety inspection a couple weeks later. I was scheduled to go there again on Tuesday for another oil change. I’ve had a number of people suggest that I call up and make them fix it. That’s not even worth the stress to me. I would have to pay for the lengthy diagnostic labor for a 50-50 shot that it was someone’s fault. The roads in Rhode Island are so shitty, it’s more likely a pot hole caused it. I don’t need to pay someone money I don’t have for those odds.

So what did Subaru tell me? Labor is going to up in the neighborhood of $2k. Then they need to source a used engine. Oh, did I forget to mention Subaru doesn’t sell crate engines? Yeah. That. Subaru only sells the engine blocks and then you have to put all your own pieces on it. Well my engine seized… who the hell knows how many parts are any good on my car. My car only had 88k miles on it. My car did not have a turbo or any of the WRX go-fast parts, but a low mileage used Subaru engine is not going to come cheap. I don’t think they show up on the market that often. The ballpark figure to getting my car back on the road is $8k with zero estimate yet on the time frame.

The dealership isn’t open on Sundays (cause, ya know, why be open when it’s convenient for people to get things done like get cars repaired) so my car is sitting in the snow at the dealer, waiting to get looked at and see what the damage is. Hopefully on Monday they can give me a real estimate. And then if the estimate looks good, I need to make sure they stay with that estimate because there is a very finite line where it’s not worth it to bother. That’s both a dollar amount line and a engine mileage line. They could do it on the cheap, but hell no am I putting some 120K engine in my car.

So that’s the story. A new Subaru Impreza starts at $21k. A quick google search shows only three 2008 Imprezas for sale. The only low mileage one is 800 miles away for $15k. Which is funny because I paid $16k in god damn 2008 for mine. I don’t want to buy one of these things. My car was supposed to last long enough for my kiddo to drive it (and then not be allowed to because I know how much trouble I would have gotten into with a Subaru at age 16).

Boskone 52 Incoming

Posted: February 13, 2015 in Conventions
Tags:

It’s that time of year for my winter con, Boskone!

Even though they picked the worst weekend ever to host it on, my wife is awesome enough to be cool with me going to play Saturday and Sunday. Seriously, my wife rocks.

Mine is Red, but you get the .... drift.

Mine is Red, but you get the …. drift.

Of course, there’s an epic ton of snow in the forecast for this weekend. I think three years in a row with a right proper blizzard makes it a tradition. Snow doesn’t bother me. That amazes people constantly, even native New Englanders who not only have winter, they have the same winters that I do. A foot of snow? Whatev. Me + Subaru > Nature. Really, the only downside is that I was thinking about taking the train to Boston this year. Boston is a horrendously miserable place to take a car and the T actually runs a train down into Rhode Island that stops four blocks from my house. But anyone who’s seen news from around here and all the snow knows the MBTA is a big mess right now that can’t seem to get out of its own way. So driving it is. I’ve never really lived in a place with functional public transportation anyways so am not comfortable relying on others for my travel plans anyways.

Boskone, and Readercon in the summer, recharge my creative batteries. I think my wife gets that better than I do, what with her being ok that we go to dinner later tonight instead of tomorrow. Writing, and more so writing successfully, is not an easy thing. If what we did was easy, everyone would. Or at least there wouldn’t be so much free self pubbed garbage cluttering up the ebook world.

So I’m marching off to Boskone tomorrow, commuting up each day and spending most of my money on overpriced hotel parking. Since this is my fourth year, and many of the same faces go to Readercon, half the crowd will do the Polite Head Nod of Recognition. I’ll see and chat with people I’ve seen and chatted with before. Maybe I’ll pretend I’m an extrovert and chat with more people. I’ll take notes for my writing. Ideas and inspiration and maybe I’ll remember to blog about all the cool topics that come up, unlike Readercon where I still haven’t blogged half the topics yet. Maybe this year the Dealer’s Room will have Max Gladstone or Mur Lafferty in stock and I can get more signed books. I’ll get Myke Cole to sign a whole stack of books because for some reason it’s become tradition for me to buy his book for Fred. I’m going to find ML Brennan because Rhode Island really should be run by vampires. I’ll discover new authors and maybe their books will actually be in stock for me to buy.

I am going to read a story for the Flash Fiction Slam and damnit, it’s the best little piece of micro fiction I’ve written. Related, this year I’m not bringing a cyberpunk story to lay out in front of judges who invented the genre.

When I get home on Sunday, I’m going to be riding a wave of momentum. It usually lasts a month. I recently twigged on how to fix the plot of the godpunk novel that I’ve been fighting with since I realized it was broken a couple months ago. I’m going to take that momentum and the third reboot of that novel is going to be the charm.

I’m going to get to the other side of the fence to go play with the cool kids.

boskonetauntaun

We’re creeping up on the three year anniversary of Stuff and/or Junk and I spent some mental currency on trying to come up with a way to celebrate the fact that Holy cow I haven’t let it die yet?? without an obligatory blog equivalent of a sitcom clips show.

Fortunately for me, 2012 was a good year for debut authors in the SF scene. At least it was pretty rad for debut authors on my shelf. I started the blog on Feb 12, 2012 after lurking on twitter for a few weeks. It coincided pretty closely with my first writing related convention and the debut book from author Myke Cole. With the upcoming release of his fourth book, Gemini Cell, on January 27th, I thought it would be a perfect excuse to check in.

Headshots of Myke ColeCole’s first book, Shadow Ops: Control Point was a serious breath of fresh air for me as a reader. I describe Cole’s universe as a military urban fantasy or how the actual military would deal with sorcerers being dropped into their ranks. And it’s a description I use a lot because they are one of the most recommended books on my shelf. There’s an entire unit of the Rhode Island Air National Guard readers that I helped along.

Gemini Cell takes place in the same universe as the original Shadow Ops trilogy but earlier in the timeline with a different cast of characters. This time around magic isn’t established in the world, the book is “set in the early days of the Great Reawakening, when magic first returns to the world and order begins to unravel.” I’ve preordered mine (and lots of links down at the bottom if you are so inclined to do the same).

So in the spirit of the upcoming three year mark, I’d like to bust out some shop talk since that’s the sort of thing I like to do and Cole, being one of the friendliest authors out on the scene, has been kind enough to indulge me. Of course, I’ll be out of any useful shop talk questions when we cross paths at Boskone 52, but that’s a problem for later. Maybe we’ll just talk about beer at that point and hopefully not blizzards that are outside the convention hotel waiting for me to drive through like last year… or the year before (Boskone has a thing with blizzards).

geminicellOne of the themes in your reviews over the years, which I’ve completely agreed with, is that your writing levels up with each book. I loved Control Point but Breach Zone blows it out of the water. Do you find that there is a leveling up of your back end writing process as well? What’s changed about your writing process between Control Point and Gemini Cell?

Thanks for noticing this. I can’t say whether or not I’m a “good” writer, and I can’t say that I’m “getting better” with each book, but I can objectively and definitively say that each novel is very different from all the others. This is by design, and I’m enormously proud of it. There’s a lot of pressure for direct to Mass-Market Paperback authors like myself to write in-series novels that feature the same protagonist and are all very similar. I’m not knocking that style. There are some GREAT writers out there doing great things in this mode. Look at Jim Butcher and Patricia Briggs. One of my favorite writers, Bernard Cornwell, writes this way (his Richard Sharp and Thomas of Hookton novels).

But that’s not what I want to do. I push really, REALLY hard to progress as a writer. If my career fails, I don’t want it to be because I didn’t challenge myself. Control Point is sort of a bildungsroman and a fugitive story. Fortress Frontier is a fantasy quest piece. Breach Zone is a siege tale and a tragic romance. All three books have different protagonists by design. Breach Zone stops using chapter group sections, and is a double-helix narrative (a story in the past and a story in the present intertwining and climaxing together) that I stole from Mark Lawrence.

Gemini Cell is a *very* different novel from the Shadow Ops trilogy. It’s got much stronger elements of romance and totally different characters. The magic system is completely different. Scylla got some POV time in Breach Zone, but Sarah Schweitzer is a major POV character who can almost be counted as the book’s protagonist.

At the same time, I wrote The Fractured Girl (the 5th draft is currently with my agent, and I’m hopeful we’ll go out to market soon), which is a medieval “grimdark” fantasy in the mode of Lawrence and Abercrombie, whose protagonist is a 13 year old gay girl.

My point is this: I strive to get better, but I know that’s totally subjective. What isn’t subjective is this: I do something *different* with each book. To the extent that improves my writing, I’m delighted.

Your writing mixes genres. Even before we crossed paths at my first Boskone the idea of a modern military fantasy book came off as new and fresh. After spending twenty years reading in the genre, new and fresh is an amazing thing. And then Bookbinder came along and the support staff became the protags. And I absolutely maintain that Breach Zone is really a romance book in disguise. Now I’ve seen tidbits on twitter that the horror book scene is keying in on Gemini Cell. What kind of challenges are there with mixing genres and bringing other people’s tropes into our SFF scene?

All major successes in the arts are outliers. Take a look at A Song of Ice and Fire. We all talk about Ned Stark’s beheading as if it’s just part of the fantasy literature. But the truth was that, in capriciously killing a major and well-loved character, Martin took us into new territory. Look at the major comics that broke out when the Comics Code was bucked off in the 80’s – Miller’s Dark Knight Returns and Moore’s Swamp Thing. These books went into completely uncharted territory and they reaped major rewards.

All of these examples were not creating anything new out of whole cloth. They were riffing in creative ways on extant tropes. Martin was writing a medieval fantasy. Miller was working with Batman, one of the oldest and most loved characters in the history of comics. But they consciously pushed out into new territory. They took risks, and audiences responded.

I like to think that I’m doing that here. I grew up with zombie fiction. I started with the Romero flicks like everyone else, but I got in on the ground floor with the zombie renaissance as an early reader of Kirkman’s Walking Dead in ’03, long before the TV show made it a household word. I’m certainly not the first person to ask more complex questions about the zombie phenomena (what if zombies can still think? How do they integrate with humanity?). Diana Rowland’s White Trash Zombie series deals with this, and Carey’s Girl With All the Gifts is getting a lot of press lately. In making Gemini Cell‘s character undead, I wanted to explore the military applications of zombies, and I also wanted to avoid the trope that zombie infection is always via virus.

When Dread Central, a major hub site for horror, picked up the story, I was tickled. I hope it means I’m on the right track.

One of the other upcoming projects you’ve talked about is the Fractured Girl (like a few paragraphs above), which I’ve seen you describe as a Mark Lawrence-esqe grimdark starring a teenaged girl protag long before you described it above. That’s a big swing from the cadre of military officers that make up your other protags. I can’t even listen to the same genre of music when I switch gears so drastically. Do you need to cultivate a different headspace for writing from such a different point of view? Do you have to change up the mechanics of your process any?

I’m not sure, but only because it’s so new to me. I’ve had a hard time writing Javelin Rain, which is the sequel to Gemini Cell (I just finished a 1st draft of Javelin Rain on December 31st). Keep in mind, I also had a hard time writing Breach Zone, which is widely regarded as my best published work (judging from the critical reception). So, this could mean that it’s simply how it goes for me lately: I have a hard time writing the book, but it turns out to be solid, or I could be having a tough time switching gears between The Fractured Girl and Javelin Rain.

I will say this: I was much more excited to write The Fractured Girl than I was to write Javelin Rain. I think some of this is the “oooooh, shiny!” tendency to be drawn to something new and different. Gemini Cell is my fourth military novel. If you don’t count unsold work, that means roughly 500,000 words (or 2,000 pages) in the same arena. It’s nice to branch out and stretch your legs. It’s also really important to me that I be a writer with a capital “W.” I want to show that what success I’ve enjoyed isn’t gimmickry, that it’s about more than my “authentic” military voice.

This one is kind of cheesy but it’s a topic that fascinates me, but what kind of soundtrack would you drop for Gemini Cell? Sometimes I see books with an author’s playlist in the back. What’s the playlist for Gemini Cell?

This is a tough one for me, since I almost always write to movie soundtracks. So, there literally is a soundtrack playing as I create my world. It would definitely be a composite soundtrack that included orchestral scores interspersed with pop artists. For example: Snow White and The Huntsman‘s soundtrack, which I write to a lot, includes Florence and The Machine. Narnia‘s soundtrack includes Switchfoot and Alanis Morrisette. I am loving the Skyrim soundtrack as well. Video game soundtracks loom large in my repertoire.

One more slightly cheesy one, but as a film school grad, I can’t resist. If the mythical Hollywood movie deal dropped into your lap and you had a say in the casting call, who would you tap to be the stars across Gemini Cell or any of the other books you’ve written? I have to say, I’d be partial to Idris Elba or a younger Djimon Hounsou as Oscar Briton.

Funny you should mention this. I actually was asked this very question and gave a detailed breakdown here. (Interviewer’s note: I tried really hard not to write repeat questions but my google-fu failed me that day)

Gemini Cell would be really tough to cast for. The lead, James Schweitzer, has his face blown off and poorly reconstructed. He’s so hard to look at that they put a modified flight helmet on him (as shown on the cover) to keep him from scaring the shit out of living troops.

PlayersHandbookYou’ve talked about how D&D was part of your nerd foundation, specifically the paladin archetype. (Chaotic neutral sorcerer here, Green Rodrick ftw!) I know we’ve all been tempted to take the stat sheet and keep writing. Jim Hines actually did in a round about way. China Meiville’s Perdido Street Station and The Scar read like they could be D&D source books, he even makes references to the classic adventuring party in the former. Have you ever had any characters make the jump from dice to the page? Do you find any useful synergy between tabletop RPGs and writing?

I find TONS of useful synergy between RPGs and writing, but not in the way you think. Playing D&D taught me to imagine myself as someone else, to form an external model/vision of the person I wanted to be (in this case, a paladin). I wasn’t parented well, and so that vision became the role-model I never had. It allowed me to reinvent myself as a military officer and eventually as a writer. The task of going pro as a writer is so impossible that it would make almost anyone give up. A paladin doesn’t worry about that. He hefts his shield and advances into hell. Without RPGs, I would *never* have become a novelist.

This next one approaches a “standard” question, which I’ve been doing my best to avoid, but according to my google-fu, you’ve yet to answer this one since the Breach Zone release window so it’s new for 2015! I know you’ve got the previously mentioned Fractured Girl and Javelin Rain, the sequel to Gemini Cell, in the works, what else are you juggling with that epic work ethic you’ve got?

operationarcanaFunny you should mention. My novelette, Weapons In The Earth, will be published in John Joseph Adams’ Operation: Arcana military fantasy anthology in March. It’s a POW story set in the Shadow Ops universe and told from the goblin POV. I’ve also been invited to do short work for the Urban Allies anthology and Shawn Speakman’s Unfettered anthology.

While I wait for beta-reads to come back on Javelin Rain and for my agent to comment on The Fractured Girl, I’ve dusted off an old science-fiction police novel proposal that is highly influenced by Kameron Hurley’s Bel Dame Apocrypha. (Interviewer’s note: !!!) It deals with cops who merge with a race of nanoscale xenocarids who colonize their bodies for law enforcement applications. It would leverage a lot of my work in law enforcement with a lot of my work in . . . dreaming up crazy shit. It’s also very, very bleak (like The Fractured Girl). I know a lot of people are already predicting “grimdark’s” demise, but that tone is still what resonates most with me in fiction.

We’ll see what comes of it. Fingers crossed.

As a secu­rity con­tractor, gov­ern­ment civilian and mil­i­tary officer, Myke Cole’s career has run the gamut from Coun­tert­er­rorism to Cyber War­fare to Fed­eral Law Enforce­ment. He’s done three tours in Iraq and was recalled to serve during the Deep­water Horizon oil spill. All that con­flict can wear a guy out. Thank good­ness for fan­tasy novels, comic books, late night games of Dun­geons and Dragons and lots of angst fueled writing.

Myke Cole’s fourth novel, Gemini Cell drops on January 27th. Connect with Cole on his website mykecole.com or on twitter @mykecole. Preorder the book at your bookseller of choice – Barnes and NobleAmazon IndieBoundPowell’sBooks-a-millionPandemonium Books & Games, Cambridge MassBooks on the Square, Providence RI

Remember that really cool thing I did last year at Boskone?

Yes, all of it was cool but I’m talking about the Flash Fiction Slam. Well I’m gonna do it again.

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Sunday, 9:30 AM

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Flash Fiction Slam

Join Boskone’s second Flash Fiction Slam. Be one of eleven (11) writers to compete for the title of The Flash, reading your own original fiction — which must tell a complete tale within a 3-minute period. Our expert panel of judges will score your work, and you automatically lose 10 percent for going over your 3-minute time. You may only read your own work. The reader with the top score wins! Sign up before the con for one of eight (8) reading slots on a first-come, first-served basis by e-mailing erin.m.underwood@gmail.com. Or sign up onsite at Program Ops in the Galleria for one of three (3) at-con openings. A waiting list will also be available.

Carrie Cuinn (M), James Patrick Kelly, Kenneth Schneyer, Fran Wilde, F. Brett Cox

I got a good draft in hand to read at the slam. It’s a bit too long right now at 710 words. Last’s year’s story nailed the three minute time limit perfectly at 560 so I’m going to need to trim it down. Short fiction, especially flash, is tough for me. You get very conscious of each word used.

I’m excited for this. The story is really weird and all sorts of cool. I plan on improving from last year and I think this story can do it.

In the meanwhile, if you want to read last year’s story, it’s right over here.